Sunday, March 15, 2020
Zhong Kui, the Keeper of Hearth and Home Japanese Myth with Buddhist Philosophy
Zhong Kui, the Keeper of Hearth and Home Japanese Myth with Buddhist Philosophy Introduction: The Mystery of Zhong Kui Mystery is what the entire Japanese culture is veiled with for a European or American gaze. Intertwining with the peculiar philosophy, the local mythology can make oneââ¬â¢s head spin ââ¬â this is true even for connoisseurs of Japanese mythology and culture.Advertising We will write a custom term paper sample on Zhong Kui, the Keeper of Hearth and Home: Japanese Myth with Buddhist Philosophy specifically for you for only $16.05 $11/page Learn More Due to the religion reigning in the Land of the Rising Sun, namely, Buddhism, the local beliefs and superstitions take the most curious shapes, giving birth to the most mysterious and unusual creatures. Zhong Kui, the Demon Queller, or Shoki, as foreigners call this creature, is the keeper of the hearth and home in Japan and one of the most picturesque characters of Japanese legends. Casting a glance at the work by Gong Kai, Zhong Kui Traveling, one can see the peculiar way the ancient legend is intertwined with just as old philosophy and religion of Japan, Buddhism. Due to the specific Buddhist settings in the background, the picture looks ever more expressive and filled with the spirit of mystery and magic. However, these two elements are not as incompatible as it might seem. The character taken from the ancient Japanese legends, Zhong Kui can be labeled as a mythological creature, yet he is an element of the Japanese beliefs as well. What is the most incredible is that the fairy-tale character does not come into conflict with the Buddhist ideas ââ¬â it turns out that the two elements of the Japanese culture can peacefully coexist. Gong Kaiââ¬â¢s Demon Queller: Getting Acquainted with Zhong Kui One of the most intriguing and mysterious in its Japanese way artwork depicting the Demon Queller, Zhong Kui Traveling by Gong Kai creates one of the most peculiar visions of the mythological character, intertwining Zhong Kui with Buddhist religion . Though these two elements might seem somewhat incompatible, it turns out that the philosophy underlying the both creates completely incredible mixture, all shot through with the Japanese folklore vision of the world: ShÃ
ki typically appears as a portly bewhiskered man. He wears scholars robes, a hat, and heavy knee-high boots and carries a large sword. His large eyes, bulbous nose, and fierce expression are also characteristic features. In this print ShÃ
ki rounds a corner in hot pursuit of a demon. His eyes bulge out as he spies his prey.[1] Advertising Looking for term paper on philosophy? Let's see if we can help you! Get your first paper with 15% OFF Learn More Fig. 1. Kochoro Kunisada, n.d. Shoki, the Demon Queller, available from: onmarkproductions.com/html/shoki.shtml Zhong Kui seems to be quite popular among other scholars ââ¬â there have been a number of studies devoted to this specimen of Japanese mythology. Treated rather like a spirit with a character of its own, Shoki, or Zhong Kui, has gained great popularity with those admiring Chinese culture. As Richard Von Glahn explained, ââ¬Å"Zhong Kui was a popular motif in literati painting during the Song and subsequent dynastiesâ⬠[2]. However, Von Glahn also mentions that the common idea of Zhong Kuiââ¬â¢s image is quite different from the one depicted in the numerous paintings. Thus, h warns, it would be a mistake to consider Zhong Kui as ââ¬Å"an alter ego of the neglected and despised scholarâ⬠[3]. On the contrary, Con Glahn claims that the image of Zhong Kui must have been more imposing, and even threatening, since he was the hunter for evil spirits. However, the spirit was not considered to be a boo for the Japanese, since the latter used to honor this creature as the protector of their home. Defending the place from all kinds of evil spirits and guarding the peace in Japanese houses, this was rather a talisman for the local people: The use of ima ges of Zhong Kui as protective talismans to guard the home against demonic invasion recalls the legend that Huangdi had portraits made of his fearsome lieutenant Chiyou in order to intimidate criminals and instill a proper fear of the law.[4] It is also worth noticing that the image of Shoki is closely connected to the ideas of Buddhism, which a number of scholars have already proved. Zhong Kui Framed by Buddhist Setting: Mystique and Care Because of the interconnection between the Japanese mythology and belief system, their art is filled with spirituality and all kinds of religious allusions. Gong Kaiââ¬â¢s piece of art is no exception ââ¬â Zhong Kuiââ¬â¢s image and the ideas of Buddhism merge in the picture; in fact, Zhong Kui becomes Buddhism itself, embodying the spiritual values of the Japanese people and filling the picture with the sacred sense.Advertising We will write a custom term paper sample on Zhong Kui, the Keeper of Hearth and Home: Japanese Myth wit h Buddhist Philosophy specifically for you for only $16.05 $11/page Learn More Buddhism as a belief takes its roots so deep that even the wisest cannot trace its origins. However, the core idea of Buddhist religion is as mystic as its origins. Embodying the very essence of Buddhist, Zhong Kui can be the path to cognizing the complicated yet filled with wisdom Japanese religion. It is peculiar that even the way he sits is close to Buddhaââ¬â¢s pose taken to reach the state of nirvana: Fig. 2. Gong Kai, Zhong Kui Traveling. https://www.wikipedia.org/ Taking a closer look at what the philosophy of Buddhism is for the Japanese people, one realizes that the picture of Gong Kai is breathing with the ideas of Buddhism and that Zhong Kui impersonates the essence of Buddhism ââ¬â in fact, in the given picture he can be even compared to Buddha himself. Thus, Eliot claims that the shapes that the religion took in Japan could be called rather patriarchal. With help of religion, the Japanese managed to maintain the existing structure of society for an endless number of decades! According to Eliot, this was rather natural process in Japan: In Japan, there has survived the old pagan spirit (pagan for want of a better word and in no sense a reproach) which identifies religion with Government, with law, with family duties and festivities. They are identified in the strictest sense: religion does not regulate them: they are religion.[5] Taking a closer look at the picture, one can see the typically patriarchal features in it, with the caste system which has obviously come from India into the Japanese culture. Thus, it can be concluded that the picture also provides another missing link between the Indian and Japanese cultures. Indeed, the crowd that surrounds Zhong Kui and carries him towards the light of cognition reminds of the Indian processions led by the rajah.Advertising Looking for term paper on philosophy? Let's see if we can help you! Get your first paper with 15% OFF Learn More Another trait that connects the image of Zhong Kui to Buddhism and the Buddhist theories is the calm and peaceful atmosphere that surrounds the procession. Despite the agitation caused by the presence of the Demon Queller, there is certain air of Buddhist meditations. According to Alldritt, ââ¬Å"he performs a Taoist dance to chase off ghosts who are hesitant to go back to the world of darknessâ⬠[6]. What also must be noted is the specific way in which Shoki and the demons around him are depicted. In spite if the fact that one might be surprised with the lack of palette tints, the cast of colors which the painter used can be explained rather easily. Because of the fact that the Japanese art was subject to the influence from the other countries, the Japanese artists were trying to preserve their national identity as far as they could, which resulted in the typical Japanese palette, the tints of yellowish with the strokes of black on the sandy surface. Famous for their minimalis m in art, namely in painting, the Japanese artists could maintain the balance between the valuable ideas which the West brought to them and the national identity which they were so eager to preserve. This predetermined the use of such palette which could reprint the Buddhist idea of the world, with the careful observation of the world and thoughtful and fruitful meditations. With help of the peculiar philosophy of theirs, the Japanese people managed to keep the most peculiar features of their philosophy intact and safe from the influence of Europe. Shoki as a Part of Philosophy: The Lucky Charm of Japan All shot through with the idea of caste differentiation, the picture of Shoki speaks of the Japanese society with its huge number of social ranks and layers. Explaining the core idea of the Japanese caste differentiation, Gillman helps to clarify the details of the picture by Gong Kai: ââ¬Å"Nonetheless, as in China, Japan wasnââ¬â¢t immune from attacks by the native on the forei gnââ¬Å"[7]. It is worth noticing that the paintings depicting the Demon Queller and his miraculous work gained most popularity during the reign of the Yuan Dynasty, as Little claims: The Yuan dynasty (I279-I368) has been described as the greatest epoch of Zhong Kui representation,147 and while this might be disputed were there more surviving examples of Zhong Kui paintings from the Tang, Five Dynasties, and Song periods, it is true that some of the finest known depictions of the Demon Queller are from the Yuan period.[8] It is quite peculiar to see the way culture changes under the influence of the adopted religious beliefs. Being Chinese religion, Buddhism, intertwining with the Japanese vision of the world, gained the traditional Japanese minimalism shade. As Jordan emphasizes, it was namely the Chinese influence that affected the Japanese manner of depicting religious issues: Throughout Japanââ¬â¢s medieval era, many family-centered schools, such as the Takuma, altered their styles under the influence of Chinese Chan (Zen) Buddhism and Began to paint in the fashionable monochrome ink style.[9] Another aspect which is worth paying attention to is the opposition ââ¬Å"man vs. natureâ⬠which the Japanese philosophy has always been engaged with. Considered as ââ¬Å"a magical control of and defense against evilâ⬠[10], this spirit is the child of the Japanese Buddhism. It is worth noticing that Zhong Kui is positioned neither by the painter, nor by the mythology as the creature attacking the evil spirits ââ¬â on the contrary, the Devil Queller remains calm until demons start playing their tricks. What Zhong Kui does is protecting, not attack, which is truly Buddhist concept. In the picture, the Demon Queller bends the demons to his will, yet he does not harm them. Conclusion Filled with the air of Japanese refinement and the ancient myths, the picture makes one plunge into the depth of the mythology and philosophy of Japan, the country of mys tery and legends. With help of the peculiar Buddhism setting the picture becomes even more expressive and at the same time mysterious. Creating the cultural and mythological background for the character, the Buddhist ideas add specific flair of safety, grandeur and solemnity to the picture. There is no doubt that Gong Kai created a piece which reprints the peculiarities of Japanese culture like no picture ever did. Bibliography Aldritt, Leslie D. 2005. Buddhism. New York, NY: Infobase Publishing Eliot, Sir Charles. 1935. Japanese Buddhism. New York, NY: Routledge. Guilliman, Derek. 2010. The Idea of Cultural Heritage. Cambridge, UK: Cambridge University Press. Jordan, Brenda and Victoria Louise Weston. 2003. Copying the Master and Stealingà His Secrets: Talent and Training in Japanese Painting. Honolulu, HI: The University of Hawaii Press. Lee, Sherman. 1993. ââ¬Å"Yan Hui, Zhong Kui, Demons and the New Year.â⬠Artibusà Asiae 53, No à ½: 211-227 Little, Stephen. 1985. The Demon Queller and the Art of Qui Ying (Chââ¬â¢iu Ying).à Artibus Asuiae 46, No à ½: 5-128à Shoki é ¾Ã© ¦â"à ââ¬â the Demon Queller. 2010 A to Z Photo Dictionary,à onmarkproductions.com/html/shoki.shtml . Von Glahn, Richard, 2004. The Sinister Way: The Divine and the Demonic in Chinese Religious Culture. Berkeley, CA: University of California Press. Footnotes . Shoki é ¾Ã© ¦â"à ââ¬â the Demon Queller. A to Z Photo Dictionary, 2010 . . Richard Von Glahn. The Sinister Way: The Divine and the Demonic in Chinese Religious Culture. (Berkeley, CA: University of California Press, 2004), 125 . Richard Von Glahn. The Sinister Way: The Divine and the Demonic in Chinese Religious Culture. (Berkeley, CA: University of California Press, 2004), 125 . Richard Von Glahn. The Sinister Way: The Divine and the Demonic in Chinese Religious Culture. (Berkeley, CA: University of California Press, 2004), 125 . Sir Charles Eliot. 1935. Japanese Buddhism (New York, NY: Routle dge), 189 . Leslie D. Aldritt. 2005. Buddhism. (New York, NY: Infobase Publishing), 136 . Derek Guilliman. The Idea of Cultural Heritage (Cambridge, UK: Cambridge University Press, 2010), 137 . Stephen Little. The Demon Queller and the Art of Qui Ying (Chââ¬â¢iu Ying) (Artibus Asuiae 46, No à ½: 5-128, 1985), 33 . Brenda Jordan and Victoria Louise Weston. Copying the Master and Stealing His Secrets: Talent and Training in Japanese Painting (Honolulu, HI: The University of Hawaii Press, 2003), 10 . Sherman Lee. 1993. Yan Hui, Zhong Kui, Demons and the New Year. (Artibus Asiae 53, No à ½), 213
Friday, February 28, 2020
How Can Play Promote the Learning of Science in the Foundation Stage Essay
How Can Play Promote the Learning of Science in the Foundation Stage - Essay Example The outdoor environment especially offers a wide and unrestrained range of possibilities to kindle children's inherent inquisitiveness. As the word foundation implies the foundation stage, as a statutory phase of the national curriculum for the United Kingdom, is vitally invested in the process of creating a solid basis for later learning skills as it operates to foster in children an enthusiastic commitment to the entire learning process. The heart of educational success is to inculcate in the child the lasting incentive for really wanting to listen, to figure out, to reflect, to go on questioning, and to work constructively and respectfully with peers. Carefully designed and engaging activity affords the best occasion for learning, whether indoors or outdoors (Hurst, V. 1997:76). For children to have rich and stimulating experiences, the learning environment must be well-planned and well-ordered. The curriculum suggests the ideal framework within which children are drawn to explore, test, devise, question, and reach decisions for themselves, enabling them to authentically learn, grow and expand their horizons. (Cu rriculum Guidance 2000:12) A competent practitioner understands how to design fully adaptable resources and settings that arouse children's inquisitiveness and then make the most of each child's individual show of interest by asking challenging questions, stimulating reflection and fostering investigation. Young children can be guided to quite thoroughly explore the natural world by making broad use of their fives senses, smelling things, feeling textures, listening to and identifying sounds, noting shapes and materials, and talking about and sharing their discoveries, as well as asking more questions and recording or illustrating their findings using a variety of skills (Wood, E. and Attfield, J. 1996:104). Well-thought-out play can be a strategic means by which children catch on delightedly and engage in the learning process with enthusiasm. The foundation stage also proposes to develop a sound early basis for future reading, writing, and math proficiency in preparation for key stage one of the national curriculum (Curriculum Guidance 2000:8-9) Some experienced practitioners are inclined to feel that, often enough, precious little play can be incorporated into early years settings when an undue amount of attention must be invested in the task of introducing and nurturing basic reading, writing and math skills (Wood, E. and Attfield, J. 1996:11). In extensive studies of early years practice, a number of educators have put forward serious concerns that the premature initiation of very young children to basic skills is not only liable to, but actually does, disaffect slower learners who find themselves struggling mightily with the effort. In fact, some practitioners assert that such undue demands on certain susceptible youngsters may result in significant harm to their self-esteem and future incentives to learn at all (Fish er, J. 1996:37). Ultimately, the actual mastery of required basics must depend not only on the practitioner's success in awakening children's interest in learning but in the added competence of being able to make each subject accessible with respect to a multiplicity of
Tuesday, February 11, 2020
UEFA Control on Football Club Transfer Fees Research Paper
UEFA Control on Football Club Transfer Fees - Research Paper Example The financially well off clubs would spend lots of money to sign world class players and offer them fat pay checks (Conn 2010, p.32). Regulating how clubs spend their money in buying and paying players can only be done through wage caps. A wage cap defines an agreement that puts a lid on the amount of money that any sporting organization or club can use on paying players. A wage cap could either be per player limit or an entire team limit, or both. UEFA s response to this was to formulate the UEFA Financial Fair Play Regulation in 2009. This process got undertaken by the Financial Control Panel wing of the governing entity (Conn 2010, p.32). Over the last decade, football clubs in Europe have picked up reckless spendthrift tendencies while utterly casting a blind eye to the financial logic by spending lots of cash for overnight success. This school of thought from the football club board members, to extend enormous transfer kitties to club managers thereby allowing them to offer exto rtionist transfer fees and wages, has led to many clubs getting into debt. ...Without these regulations, more teams are likely to overspend in pursuit of short term winning, rather than giving priority to long term stability. This common business practice of poor risk benefits analysis risks the fortunes of the club and weakens the reputation of the whole league. With teams frequently switching markets or regularly going bankrupt, negative precedence of instability may cloud the sport. This leads to loss of interest of fans, who may opt to switch their allegiance to a stable team. Football clubs should embrace realism and stop spending money which they did not make. This will enable football clubs grow and ensure that the glory of the beautiful game as we know does not get lost. UEFA should impose spending cap laws, and spell out harsh penalties to the football clubs that do not abide by these laws. Some of the harsh penalties proposed by football experts include transfer bans, fine s, withholding of prize money, and expulsion from the UEFA Champions League and UEFA cup (Rose 2012, p.9). These sentiments got echoed by UEFA president who stated that more than half the football clubs in Europe keep losing money. He explained that capping the spending of cubs is in the best interest of the club. Shocking research by UEFA has shown drastic increase in the losses accrued by European football clubs. Reports show that losses in 2010 peaked at â⠬1.6 billion, with over 65% of the club leagues in Europe recording massive losses. This has been the case despite the fact that revenues of professional European football clubs have increased by an average of 9.1% annually, over the past six years.
Friday, January 31, 2020
Linkedin Essay Example for Free
Linkedin Essay What is the LinkedIn website, what service(s) does it provide? (3 marks) Itââ¬â¢s a serious business social networking website. It provide resume-posting by more than 100 million professionals and corporate types. 2. What was LinkedInââ¬â¢s Net profit Margin in 2010? (1 mark) $243-million revenue, profit: $15. 4-million 3. Why are their concerns about the future potential growth in the number of LinkedIn user? 3) -The company acknowledges that the number of its registered members is higher than the number of actual members because ââ¬Å"some members have multiple registrations, other members have died or become incapacitated, and others may have registered under fictitious namesâ⬠-LinkedIn stated that ââ¬Å"we do not have a reliable system to accurately identify the number of actual membersâ⬠more of the users use Facebook more often than LinkedIn, if they donââ¬â¢t raise the frequency to increase the times to visit their site, then it might become a problem in terms of profits and stock price. . What is the major driver of their expected -220 times profit-per-share price of $32-$35? (2) -from 2009 to 2010, revenue increased by 102 % and income increased by 487 %. -The audience that already spans much of corporate North America. 5. Who generate most of the siteââ¬â¢s revenue? Why do they use the LinkedIn website? (3) -LinkedIn brings in most of its money from corporations that use LinkedIn as a recruiting or marketing tool. which companies can use the user profiles to identify both active and passive job candidate, are cheaper than traditional recruiting firms. 6. Approximately how much capital is LinkedIn trying to raise? What will it be used for? (3) -IPO valuation of $3-billion -ââ¬Å"invest heavilyâ⬠in product development -ââ¬Å"aggressively expandâ⬠its field sales staff 7. Would you invest in LinkedIn shares? Why or why not? (3) -probably no, lthough Itââ¬â¢s a unique concept compare to other s ocial net working website, however, all these facts stating that the company isnââ¬â¢t doing very well in the article. The risks in raising their number of users, major competition like Facebook and Google. Down side benefit for new investors, that will have minimal voice in the companyââ¬â¢s governance, since they plan to maintain a dual-class voting structure, and forecasted a net loss for 2011 of unspecified size. All these facts show that maybe itââ¬â¢s not the right time to invest in the company yet.
Thursday, January 23, 2020
Essay --
The Declaration of Independence stated that, "All men are created equal" but this statement did not have any meaning for white men between 1876- 1965 due to the institution of slavery. The Thirteenth Amendment was passed in 1865and put an end to slavery. The Fourteenth Amendment granted equal protection under law, and the Fifteenth Amendment gave black people the right to vote. Despite these Amendments, African Americans were still treated differently than whites. According to the law, blacks and whites could not use the same public facilities, ride the same buses, attend the same schools, etc. These laws came to be known as Jim Crow laws. The documentary focused on Charles Hamilton Houston, also known as ââ¬Å"the man who killed Jim Crow.â⬠He was a prominent African American lawyer, Dean of Howard University Law School, and the director of The National Association for the Advancement of Colored People (NAACP). He began his fight against segregation between whites and blacks alone but gradually started to encourage other young lawyers to join him in his fight. These young lawyers continu...
Wednesday, January 15, 2020
Among the Hidden Book Report
Among the Hidden In the book Among the Hidden by Margaret Peterson Haddix is about the Governments rules and restrictions about having more then two children and in this essay I'm going to describe the three characters and how they resisted the Government. The book Among the Hidden is about Government controlling the population by limited the number of children people can have and how one boy Luke survives bing hidden in his house his whole life. I'm going to write about three main characters and how they resisted the population police. They can change the future by opposing the government and population police by helping the shadow children. I'm going to write about Luke, Jen and Mr. Talbot and how they defied the Government and population police. Luke resisted by getting a fake I. D, Jen resisted by creating the shadow children chat room and Mr. Talbot resisted by sabotaging the population police work. Each characters had there own way to combat the suppressive Government. Luke is a naive 12 year old boy that can never leave his house because he is a third child which is illegal and all that changes when he discovers Jen. After he found Jen he did a lot to resist the population police. One of the things he resisted was that he sneaked out to Jen as much as he could. They usually talked about how Government and population police were wrong. Also, he left his home to help the shadow children, so he got a fake I. D as Lee Grant. Luke proved that he was brave by leaving the safety of his home and the only four people he loved and know to help other shadow children. Jen is brave and street smart 12 year old 3rd child and unlike most shadow children she happened on purpose. Jen also did many things to resist the population police, but she been doing it for most of the 12 years of her life. One thing she did was create the shadow children chat room. Another thing she did was that she blogged about the stuff she thought were wrong and thought was right. Also, she thought of the rally at the presidents house. Even though it ended terribly, she still hoped and tried. Jen was very courageous and persistent, she died trying to help all the shadow children and she encouraged Luke to go out and help the Shadow children on his own. Mr. Talbot also known as Jen's dad works for the population police but he does not agree with them and tries to sabotage them as much as he can, I'd describe as a secret agent working inside enemy lines. He resisted the population police by agreeing with Mrs. Talbot about taking care and keeping a secret about Jen. Another thing he does is bribing the citizens, workers and the policeman about shadow children. Also, he helped Luke by getting him a fake I. D so Luke can go out and help shadow children. Mr. Talbot is braver then Luke or Jen because he works for the population police and if he gets caught he can lose his job and get killed so he is very cunning and valiant. They can alter the future by withstanding the Government and population police by helping the third children. Luke, Jen, and Mr. Talbot are very brave and heroic. They help shadow children in different, but equally important ways. Jen with her outward protesting, Mr Talbot and his inside secret ways and Luke with his courageous decision to go out to the world only to help third children. This book Among the Hidden is captivating and intelligent novel and the characters are interesting and different that makes me want to read this book over and over again.
Tuesday, January 7, 2020
Creole Men of The Awakening by Kate Chopin Essay - 1981 Words
In Kate Chopinââ¬â¢s novel, The Awakening, the Creole men are as diverse and different as Edna. Kate Chopinââ¬â¢s story centers around a woman, unsatisfied with her life in a man dominated society. The three main male characters resemble typical men of that era. Chopin shows the diversity of each of those three characters- Roberts awakening, and the struggle to do the right thing, Alcee and his carefree and unconcerned attitude towards societys expectations, and Mr. Pontiller, a business man, with little time left for wife and family. In exploring these three men in Kate Chopinââ¬â¢s The Awakening, there are certain aspects of each that are the same. All live in the 1800ââ¬â¢s were morale reputation was considered to be the utmost importance to theâ⬠¦show more contentâ⬠¦Leonce is so caught up in his own ideals that he fails to see the reaction of his wife, and children. He is caught in turmoil between society and typically uses the Kliens hotel as a way out. â⬠Å"Then Mr. Pontellier got up, saying he had half a mind to go over to Kliens hotel and play a game of billiards. (Chopin, 174)â⬠Leonce does not spend time with his family while at the summer cottage, and never cultivated intimacy with his children and wife. Leonce would rather be with the boys, leaving all the everyday responsibilities to his wife, or hired help. While at home Leonce expects his wife to be attentive to his every word, treating him more like a prospective business partner than her husband. Leonce does not accept Ednaââ¬â¢s lack of attention, and gets at her the only way he can, through her children. Leonce has a chance to vent his discouragement toward his wife. ââ¬Å"He thought it very discouraging that his wife, the sole object of his existence, envinviced so little interest in things which concerned him and valued so little his conversation. (177)â⬠ââ¬Å"He reproached his wife with inattentions (178)â⬠It is obvious that Ednaââ¬â¢s inatten tions were of Leonce and not the children. Leonce wanted to get at his wife from her lack of interest in his time at Kliens. ââ¬Å"After he reproaches Edna he goes outside and smokes a cigar like it was the most natural thing in the world to do. (178)â⬠The real event is that Leonce has gotten even with his wife, for her inattention to him. The nextShow MoreRelatedThe Awakening : Reflective Statement Essay1719 Words à |à 7 PagesTHE AWAKENING: REFLECTIVE STATEMENT During our interactive orals one of the most prevailing points we noticed is the connection between the protagonist, Edna Pontellier, and the author of the book, Kate Chopin. The book and Kateââ¬â¢s life revolve greatly on the culture and context they exist in which is a Creole culture (Spanish-French Americans) who live in Louisiana and spent their summers in Grand Isle. 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